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1 6 Source, Message and Channel Factors McGraw-Hill/Irwin 2004 The McGraw-Hill Companies, Inc., All Rights Reserved.
2 The Persuasion Matrix Independent variables: The Communications Components Dependent Variables Message presentation Attention Comprehension Yielding Source Message Channel Receiver Destination Retention Behavior
3 Promotional Planning Through The Persuasion Matrix 1. Receiver/comprehension Can the receiver comprehend the ad? 2. Channel/presentation Which media will increase presentation? 3. Message/yielding What type of message will create favorable attitudes? 4. Source/attention Who will be effective in getting consumers attention?
4 Source Attributes and Receiver Processing Modes Source attribute Process Power Compliance Attractiveness Identification Credibility Internalization
5 Source Credibility The extend to which the source is seen as having: Knowledge Skill Expertise And the source is perceived as being: Trustworthy Unbiased Objective
6 Dell Computer uses its founder and CEO as an advertising spokespeson
7 Source Attractiveness Similarity Resemblance between the source and recipient of the message Familiarity Knowledge of the source through repeated or prolonged exposure Likeability Affection for the source resulting from physical appearance, behavior, or other personal traits
8 The Use of Celebrities Endorsements The celebrity, whether an expert or not, merely agrees to the use of his or her name and image in the promotion of the product. Testimonials The celebrity, usually an expert with experience with the product, attests to its value and worth. Dramatizations Celebrity actors or models portray the brand in use during dramatic enactments designed to show the goods.
9 Pepsi used pop star Brittany Spears as an endorser for several years
10 Risks of Using Celebrities The celebrity may overshadow the product The celebrity may be overexposed which reduces his or her credibility The target audience may not be receptive to celebrity endorsers The celebrity s behavior may pose a risk to the company
11 Pony used an athlete with a controversial image in this ad
12 Meaning Movement and the Celebrity Endorsement Process Objects Persons Context Role 1 Celebrity Celebrity Product Product Consumer Role 2 Role 3 Stage 1 Stage 2 Stage 3
13 Lance Armstrong s image helps assign meaning to Power Bar
14 Message Factors Message Structure Order of presentation (primacy vs. recency) Conclusion Drawing (open vs. closed end) Message sidedness (one vs. two-sided) Refutation Verbal vs. visual
15 The visual image supports the verbal appeal in this ad
16 Message Recall and Presentation Order Recall Beginning Middle End
17 Message Factors Message Appeals Comparative Advertising Fear Appeals Humor Appeals
18 Sorrell Ridge uses a comparative ad
19 Fear Appeals and Message Acceptance Facilitating effects Acceptance Level of fear Resultant nonmonotonic curve Rejection Inhibiting effects
20 Pros and Cons of Using Humor Advantages Aids attention and awareness May aid retention of the message Creates a positive mood and enhances persuasion May aid name and simple copy registration May serve as a distracter and reduce the level of counterarguing Disadvantages Does not aid persuasion in general May harm recall and comprehension May harm complex copy registration Does not aid source credibility Is not effective in bringing about sales May wear out faster
21 Use of Humor FAVORABLE TOWARD HUMOR Creative personnel Radio and television Consumer non-durables Business services Products related to the humorous ploy Audiences that are: Younger Better educated Up-scale Male Professional UNFAVORABLE TOWARD HUMOR Research directors Direct mail, newspapers Corporate advertising Industrial products Goods or services of a sensitive nature Audiences that are: Older Less educated Down-scale Female Semi- or Unskilled
22 Payday uses a humorous print ad
23 Channel Factors Personal versus nonpersonal channels Effects of alternative mass media Externally paced media (broadcast) Internally paced media (print, direct mail, Internet) Effects of Context and Environment Qualitative media effect Media environment (mood states) Clutter
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